THIS IS NOT A LADDER: An Ex-Optimist Record Review
Although The Ex-Optimists have a distinct sound and stage presence, I never know what to expect from their new music. And I love this about The Ex-Optimists. For instance, 2012's Bee Corpse Collector, nearly a decade old and half a different band ago, pays homage to swimmy-guitar college-rock radio, while 2015's Phantom Freight opens with a 15 minute chime-infested soundscape of "True Evil" only to be followed by 2018's angry AF full-fist, shoe-gaze rocker Drowned In Moonlight. Various splits and 7" releases along the way feature Ex-Ops playing post-punk thumpers ( Bee Corpse Thousand ), sweaty-stadium stompers ( Save Your Love ), and summer-love crooners ( Reruns from the '60s ). Listening through their catalogue is like reading a musical memoir of the band's influences and ideas. Life reveals itself in the progression of their recordings (2012 - poppy; 2015 - experimental; 2018 - pissed off), often telling their collective stories more throug...